By Terrell Sellix A matchback is the process of matching order records back to mailing-tape records to determine the actual source of those orders. Matchbacks have been used for years on a limited basis to try to pinpoint the source of unknown orders: typically 5 percent to 20 percent of orders. With the advent of the Web and the increase in multichannel marketing, understanding where your orders and customers are coming from has become harder to learn โ and yet more critical to know โ than ever. The shift has brought matchbacks into the limelight of customer order-tracking and results analysis. This Special
McIntyre Direct
Testing front covers is one of the easiest and most important tests catalogers can do. Front covers are the doorway into your catalog, so your cover must entice customers to open the door and step through into the wonderful world inside. Testing will help you learn what it takes to get your customers to open that door more often. โCopy destroys the graphic integrity of my cover design.โ Magazine designers love a lot of copy on the front cover, but catalog designers hate it. โIโve been designing catalogs for years. Trust me, I know what sells,โ said Maurice, the catalog designer. โAll those words
โGive me a place to stand and rest my lever on, and I can move the earth.โ โArchimedes No doubt youโve heard the phrase โstarry-eyed,โ but have you ever seen it? I did, in a young married couple Iโll call Mary and Joe. They dreamed of owning a catalog, and when they came to see me about a launch, their eyes sparkled in anticipation. โWeโve done lots of research. Weโve built a business plan and sales projections. And weโve saved enough for the initial investment.โ A good start, I thought. These folks have a realistic plan. Theyโve got a chance for the stars
Can you tell good design from bad? Most people would say โyes.โ But for most people it doesnโt really matter, because their jobs donโt depend on being able to tell the difference anyway. But for you it does matter โ a lot. Great design is part of that subtle calculus that can boost or depress your catalogโs sales. And the reality is, most people canโt tell good design from bad, at least not if we define good design as that which appeals to the most, and offends the fewest, people in a catalog audience. So if youโre one of the design-impaired, how can you
Cataloging usually is a predictable world. We track everything, study it, place data in spreadsheets and end up knowing pretty well in advance how things will work out. In fact, if businesses had human personalities, cataloging would be your Aunt Matilda and Uncle Gus: safe, predictable, no surprises. But then there comes a day when Uncle Gus calls to say he has flown to Rio with his secretary, and Aunt Matilda has joined the circus. What do you do when the predictable becomes, well, unpredictable? The Mystery of the Rotten Rollout After several years of slow growth, the mid-sized niche cataloger decided he needed
How long does it actually take to produce a catalog? The answer depends on if youโre trying to do it the textbook way or the other way โฆ March 20th. The phone rings. New cataloger: โHi, I just printed my first catalog, so now I need some lists. Can you get me some lists so I can mail my catalog by the end of this month?โ โYou want to be in the mail in 10 days, and youโre starting the list process now?โ โYou bet. I wanted to leave you plenty of time.โ Producing a catalog basically is a two-part process,
In an era of computerization, itโs easy to imagine that all your competitorsโ tasks are fully automated. Such a thought can make you, an individual cataloger, feel a bit embarrassed about your many manual tasks. But no matter how many computers you buy, youโre still going to find yourself forced to manually perform certain tasks simply because cataloging comprises many activities with ever-changing components that resist computerization. But manual tasks donโt mean inefficiency. One key to profitable cataloging is knowing how to perform manual tasks well. โCongratulations! Youโve paralyzed every phone in the company!โ A national gift cataloger (that also has
โThis copy is confusing.โ โI go to the trouble of calling, then end up in voice mail.โ โOrdering from this company is just too much work.โ Are your customers making similar complaints about your catalog? Itโs surprising how many catalogers make their customers work too hard. From your catalogโs design to your contact centerโs operations, whatever forces customers to work will reduce response rates. But when you do the work for your customers, your response rates go up. โIf customers have questions, theyโll call.โ I interviewed Connie, a career woman and mail-order shopper, about how she
We had finished analyzing the catalogโs product sales. The unit sales, revenue and square inch reports all pointed to the same conclusions. โThe big winners are those cute resin figurines,โ I told the catalogโs owner. โEvery time you add one, sales go up. You should add more this year. And the big loser is the expensive hand-signed pottery. Those should go.โ She wrinkled her nose. โIโve decided to discontinue all the resin. I donโt want resin in the catalog anymore.โ โBut why?โ I asked. โYour customers love them.โ โTheyโre tacky. Iโd never have them in my house. Iโve signed a contract with the pottery
It really is possible for catalog design costs to occasionally approach zero, without sacrificing sales. And doing so can be a stimulating challenge. All in the Family Weโd been going over the catalog budget estimate for hours, line by line. I was familiar with how tight-fisted this client was, and Iโd already cut his estimate to the bone. But he kept probing for tricks to cut even more. โWhy is design so high? Itโs just putting photos and copy on a page. My nephew who knows Quark can do that,โ the client said. โWell, thereโs more to it than that. It takes