Creative

Centralized Content Streamlines Creative
October 1, 2004

Problem: Office supplies cataloger Corporate Express Canada needed to centralize its copy and images to enable easier multichannel publishing. Solution: Executives implemented a content management system that allows product data to be repurposed across multiple marketing channels. Results: Corporate Express Canada streamlined its processes by, for example, reducing its number of applicable databases from eight to two and reducing its head count. Corporate Express Canada, the Canadian division of U.S.-based office supplies cataloger Corporate Express, needed an easy and efficient way to manage its product information. Executives at this business-to-business catalog wanted the ability to store images and merchandise descriptions

Numbers Tell a Story
October 1, 2004

quare inch analysis (SQUINCH) is an extraordinary tool for consumer and business catalogers alike. Sorted and executed the right way, a comprehensive SQUINCH can serve as a creative road map to your catalog campaigns, just as your contact strategy defines the plan from a marketing perspective. A comprehensive square inch analysis allows you to evaluate product sales and placement to determine whether the right product, price point or category is given the appropriate amount of space in the right location in your catalog. And by basing the analysis on customer behavior, as culled through transactional data, you can keep your “gut feeling” from being

Freshness Sells
October 1, 2004

Many business-to-business (b-to-b) catalogers fail to periodically refresh their creative elements and end up making common mistakes in copywriting, photography, layout and design. To discern if you’re guilty of stale or ineffectual catalog creative, ask yourself the following questions. “Am I employing copy that’s appropriate for b-to-b customers in particular?” “B-to-b products tend to be more practical because they’re meant to help customers solve business problems,” says Sarah Fletcher, president of Charlestown, R.I.-based Catalog Design Studios, a catalog consultancy. You can’t sell on emotion in a b-to-b catalog like you can in a consumer catalog, she continues. Gina Valentino, vice president and general manager

Divide & Conquer: Focus on B-to-B Creative
September 1, 2004

For Edward Don & Co., supplying “everything but the food” has long been its motto. The foodservice equipment supplier sells its customers, including Applebee’s Restaurants and the Opryland Hotel, a range of items, from serving glasses, plates and napkins, to kitchen utensils, stoves and fryers. While those clients enjoy browsing their “Don” catalogs for the latest trends in how to use a martini glass to serve chocolate mousse, the same restaurant managers aren’t likely to buy a new $10,000 refrigerator unit off the page of a catalog. So Don’s 11 business-to-business (b-to-b) catalog titles always will be an integral part of the

The Paperless Catalog Comes of Age
August 1, 2004

Truly effective multichannel marketing is an ongoing challenge for most catalogers. Ultimately, you want to deliver consistent customer experiences across all your sales channels, right? Although there isn’t one formula for success, there are a growing number of multichannel commerce tools that can help you achieve that goal. One such tool is a virtual catalog, defined by Chicago-based the e-tailing group as an almost exact replica of your print catalog integrated by varying degrees into your Web site, as opposed to a simple menu of products. By using a virtual catalog, customers can experience the aesthetics of a print catalog as well as

What’s Your Merchandising Vision
May 1, 2004

What do companies like L.L. Bean, Coldwater Creek, Lands’ End, J. Jill, Victoria’s Secret, Williams-Sonoma, Ross-Simons, Pottery Barn, The Sharper Image, Cabela’s and Frontgate have in common? They all have a clear merchandise vision, says Chuck Howard, president of Howard Consulting, a Rockville, MD-based catalog consulting firm. “A merchandising vision is simply an understanding of the customer and his or her lifestyle,” he explains. But, according to Howard, it is one of the most difficult topics for catalogers to grasp. Most don’t truly understand the importance of merchandising, he laments. While numbers are the foundation of good merchandise planning, a lot of people

Get the Most From Your Photography Investment
May 1, 2004

The product images in your print book and on your Web site represent both a critical creative component as well as a significant financial investment for your business. There’s no doubt that photography sells product. Whether you shoot your images with an in-house team or use a studio or creative agency, be sure you’re getting the most from your investment — and potentially improving sales — by following these five pointers. 1. Match your shots and the level of aesthetic quality you require to the appropriate photography medium. You may think the debate is over, and that digital has won. That’s

Five Tactics for Developing Creative That Works
April 1, 2004

The primary function of your catalog is, of course, to sell merchandise. This goal supersedes any individual opinions about aesthetics. Successful creative strategies don’t necessitate a subjective discussion. What works is what sells. While there isn’t one secret formula for success, here are five tactics that can help guide your creative decisions. 1. Foster a dependent relationship among your creative, marketing and merchandising teams. Give your creative team the tools it needs to develop a catalog that sells merchandise. Such tools include information gleaned from a square inch analysis and marketing promotions, as well as any merchandising changes such as new items,

Cut-rate Layouts
February 1, 2004

It really is possible for catalog design costs to occasionally approach zero, without sacrificing sales. And doing so can be a stimulating challenge. All in the Family We’d been going over the catalog budget estimate for hours, line by line. I was familiar with how tight-fisted this client was, and I’d already cut his estimate to the bone. But he kept probing for tricks to cut even more. “Why is design so high? It’s just putting photos and copy on a page. My nephew who knows Quark can do that,” the client said. “Well, there’s more to it than that. It takes

Case Study: United Stationers Has Versioning Down
January 1, 2004

United Stationers, a distributor of office supplies and other merchandise, has been producing various levels of versioned print catalogs for the past 10 years. Its clients, which include about 5,000 resellers ranging from mom-and-pop neighborhood stores to national chains such as Staples, use the catalogs to sell products to end-users. For this Des Plaines, IL-based wholesaler, versioning is need-driven. “We have so many resellers with different marketing needs that we must satisfy,” explains Jeff Kressman, director of marketing communications and research. United Stationers produces the following types of print catalog versions: 1. A standardized catalog with customized covers denoting the contact information